Canadian Stage’s “Clyde’s”

For what would you sell your soul? To save the reputation of a family member? To get medicine for your sick child? Or to create the most perfect sandwich in the world? Lynn Nottage’s Clyde’s initially sounds like an uplifting comedy about second chances, and though that all does come to pass, there’s also a…

Riot King Art Market’s “The Moors”

Usually I wouldn’t associate quicksand with the wilderness of the UK, but in Jen Silverman’s The Moors, it’s just one of the many perilous pitfalls which are said to lurk outside the safety of the lone manor house. Deftly directed by Bryn Kennedy, Silverman’s The Moors is a haunting tale of love and longing, set…

House of Beida Inc and Buddies in Bad Times Theatre’s “Kainchee Lagaa + Jhooti: The Begging Brown Bitch Plays”

Two siblings, separated by miles and years. A woman who can’t help but lie, even though it all sounds like the truth. All of them yearning for connection. Zaiba Baig’s latest plays, Kainchee Lagaa + Jhooti: The Begging Brown Bitch Plays, directed by Tawiah Ben M’Carthy, are a thought provoking and boundary pushing double bill…

Leroy Street Theatre and One Four One Collective, in association with The Assembly Theatre’s “Anywhere”

In chess, the only piece which can become a queen is a pawn; through mastery and self-preservation, the lowest ranked piece can suddenly become the one who can win the game. That power dynamic surges through Michael Ross Albert’s Anywhere, currently on stage at The Assembly Theatre. Directed by original cast member Cass Van Wyck,…

Icarus Theatre’s “Julie”

What does it mean to have power in today’s society? Is it money? Status? Friends? Or are all three of those interconnected into a web of fantasy? Polly Stenham’s Julie, an adaptation of Strindberg’s Miss Julie, is a captivating look at the life of a party-girl heiress and a night which will change her life…