Stratford Festival’s “All My Sons”

I’ve always had a tumultuous relationship with Arthur Miller’s works, I’ve been reading his plays since grade 12 and frequently found that I was disappointed; in the characters or the plot trajectory, nothing really grabbed me. All My Sons did everything but disappoint. Honestly, it totally redeemed Miller in my opinion, with this gripping, troubling, beautiful play.

I found that the themes of this play were very similar to some of Miller’s other works. All My Sons focuses on the relationship between father and son, and how the “American Dream” fits into that relationship. In this case, Joe Keller wants his business to be passed down to his sons, so he makes questionable decisions to ensure that that’s able to happen. Where we see the real tension is between the older generation’s idea of what is necessary versus the younger generation; as the information of the true events of Keller and his former business partner Mr. Deever get revealed it becomes more and more of a burden on Chris, Joe’s son. We see, in two very different ways (through the Keller’s and the Deevr’s), how the sins of the fathers are visited on their sons: one is through anger and mistrust, the other a crushing guilt.

Kate Keller is convinced that her elder son, Larry, who is MIA from the war, is bound to come home. We watch as it consumes her waking and sleeping thoughts. She evens involved her neighbours in trying to convince the rest of the family that she must be correct and Larry must be alive. Her passion boarders on insanity, and yet we see that come crashing to reality when Ann Deever (who used to be Larry’s girlfriend but is now beloved of Chris) shows Kate a letter which Larry sent to her just before he disappeared. It was one of the most striking moments in the play, as Kate reads the letter, she only lets out one shriek, one moment of total release, and then it’s as if all of her sanity has been restored. Instead of destroying her, which I thought it would, the letter makes her somehow more resolute and strong. The change was so instantaneous and the opposite of what I expected, I was floored.

With the play being performed as theatre in the round, these difficult issues and moral crises were inescapable, and I loved it. While the set itself was beautiful and you truly feel like you’re in a beautiful backyard, there was a moment where I realized that there was no way out, for the characters or for us as audience members. Because you are denied the esthetic distance of a proscenium stage, it forces you to be just as involved as the characters are and go on the ride with them, for better or for worse.  

This play was superbly acted, they left you no choice but to care deeply about the characters on stage. Lucy Peacock and Joseph Zeigler lead the cast as Mr and Mrs Keller, providing passionate perofmances that cut to the core. Tim Campbell’s performance as Chris Keller was marvellous, his emotions reached out to every member of the audience, and he had us all feeling heartbroken by the end of the play. Sarah Afful and Michael Blake play Ann and George Deever, who have such drastically different relationships with the Kellers that it hardly seems like they’re related at all, yet their performances were equally beautiful, showing how one event can impact people so differently. Supported by the talents of E.B. Smith, Lanise Antione Shelley, Rodrigo Belifuss, Jessica B. Hill, Maxwell Croft-Fraser, and Brandon Scheidler, this was a well constructed cast without a weak link. 

All My Sons is a play that will leave you puzzling and thinking long after the performance is done. This amazing production only runs until Sunday, so get your tickets now!