If you love theatre in Toronto, then you’ve definitely seen a set designed by the incredible Echo Zhou. Designing for hit shows like White Girls in Mocassins, Rocking Horse Winner, A Poem for Rabia, and more, Zhou’s design prowess is unmistakable. Her latest project is Blind Dates which is running right now at Theatre Passe Muraille. I asked Echo about her prolific career, the collaborative nature of Blind Dates and what she loves about designing for theatre!

1. Could you please introduce yourself to my readers and talk a bit about your role with Blind Dates?

Hello everyone, my name is Echo Zhou (周芷會), and I am a Chinese immigrant set and lighting designer based in Tkaronto. I am honoured that I have had the opportunity to design the set for Blind Dates. I am grateful to be on this journey with a group of caring, talented artists. 

2. Your body of work is extensive! You’ve certainly created some iconic set designs. Is there any one set in particular which sticks out as a favourite of yours?

Thank you for your kind words. Blind Dates is definitely one of my favorite designs. While the set isn’t overwhelmingly large, it is full of intricate details—tactile surfaces, a floor puzzle, playful posts, and hidden gems. What brings me the most joy is seeing the performer navigate the set with such ease and comfort. It reassures me that I’ve done my job well in supporting both the performer and the storytelling.

3. I understand that the work on Blind Dates was really collaborative. What was the process like for you?

It was an incredibly collaborative process! We spent a great deal of time in the workshop, discovering the specific elements that would best support the performer. Throughout this process, we added key features to ensure her comfort and safety on stage. We were fortunate to have an exceptional production team, who managed to build the set before the first rehearsal and were also able to make quick adjustments during the rehearsal period. Having a physical set to rehearse on was crucial for the success of this show.

4. What’s a feature or aspect of the Blind Dates set which really excites you?

What excites me most is that this production is truly accessible to everyone. I’m passionate about making theatre inclusive, and this set is designed with that intention. Every element was created with great care and love, ensuring that all audiences, regardless of their background or abilities, can enjoy the experience.

5. What’s the best part about being a designer for theatre?

Designing for theatre allows me to use my imagination and attention to detail to transform words into a living, surreal world. The most rewarding aspect of this work is the fact that each show is entirely unique. Every new creation, every new world, presents a fresh challenge, which keeps me constantly inspired and engaged. Theatre design also allows me to blend cultures and integrate the diverse needs of artists into the work. For example, I can adjust lighting to be more comfortable for light-sensitive performers, while also subtly incorporating elements that reflect their cultural heritage. Sometimes the changes are gentle, but I believe that this thoughtful care elevates the art, making it richer and more meaningful.

I want to thank Echo for taking the time to answer my questions! Blind Dates runs until March 9. For more information and tickets, visit: Blind Dates – Theatre Passe Muraille

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