The Japan Foundation is showing the world of Kabuki Theatre through film with their exciting event “Cinema Kabuki.” I was able to ask organizer Toshi Aoyagi about the event, about his own experience with Kabuki, and what audiences can expect from this day of Kabuki on film.

Can you please introduce yourself to my readers and tell them a bit about “Cinema Kabuki”

I am Toshi Aoyagi, Program Officer at The Japan Foundation, Toronto. Cinema Kabuki Toronto is a project that I have been producing since 2009. Cinema Kabuki: In High Definition on the Big Screen ‒ Direct from Japan ‒ English subtitled. Kabuki Theatre filmed with high-resolution cameras for cinemas in High-Definition digital projection and six-channel sound.

What are some of the special traditions and elements of Kabuki Theatre?

Japanese traditional theatre Kabuki has been often described as a chimera, and embodies many unique aspects and elements developed in their tradition. To name a few…

1. Onnagata, male actors who specialize in female roles. Only men are performing on the Kabuki stage, which makes the whole artform a fireball of gender issues.

2. Hanamichi a ramp passage extended from the stage going through the audience. This changes the whole spacious participation of the theatre to a more involved experience. The audience does not confront the stage objectively, rather they dip themselves into a fictional illusion.

3. Music-driven nature of Kabuki  In my opinon Kabuki has a lot in common with operas. The appeals from the Kabuki stage are delivered through such sensuous expressions as the various styles of music and the physicality of the actors’ bodies.

When and how did you get your start in Kabuki?

At the age of 13, in 1971 & 1972, my grandmother took me to the National Theatre, and my mother to the Kabuki-za Theatre. I asked for those first-time Kabuki theatre visits. I was awfully curious about this multi-faced chimera in which I suspected there would be chaotically rich contents and mesmerizing charms. I was attracted by operas at the same time for the same reasons.

What can audience members expect from attending “Cinema Kabuki?”

Sensuous, physical sensation from Kabuki’s unique communication methods, which can work going beyond the barriers of languages and culture.

What does it feel like to get to share this artform with people who maybe haven’t experienced it before?

The first timers would be presently surprised how directly Kabuki can appeal to you. Have no fear, just dip yourself into it!

I want to thank Toshi for taking the time to answer my questions. “Cinema Kabuki” is showing three films on February 23at the TIFF Lightbox. For more information and tickets, visit: Cinema Kabuki 2025 Toronto -The Japan Foundation, Toronto

---

Thank you to my Patrons:

N. Bushnik, S. Fisher, B. Kinnon, D. Moyes

And to my supporters who’ve bought me a coffee:

Angelica and Paul, Anonymous, Adrianna, and Caitlin

Would you like to become a Patron? Check out my Patreon at: https://www.patreon.com/AViewfromtheBox

Or, you can buy me a coffee at: buymeacoffee.com/aviewfromthebox