I have always been interested in seeing Elektra by Sophocles. Having helped to teach other Greek tragedies but not this one in particular, I was excited to have the opportunity to finally see it. I was certainly not disappointed. I cannot imagine a better experience seeing this play.
The first thing one noticed entering the theatre is that the play is to be performed in the round. The bright light that shone down from the ceiling created the playing space, with our seats in two rows around it. It was a brilliant set up because it forced us to be a part of the play, and be aware of not only all of the characters, but the rest of the audience as well. The next thing I noticed were these draped figures around the very outside of the circle. I said to my friend sitting next to me “Don’t those look like people?” and he said to me “They probably are people!” and of course, they were! I couldn’t believe how long they had been sitting there in waiting, finally taking off the cloth and coming into the light with their respective entrances. The whole atmosphere was amazing, and really put me in the right mindset for the rest of the play.
The performances were downright impressive. The cast told the story in a skilful and impressive manner. To me, I saw in this a culmination of everything that they have studied over the past four (and for some of them three) years of their schooling. There was such beautiful movement, voice, and text work, not to mention their costuming, hair and makeup; you can see the expertise that is taught at the University of Windsor and how it will stay with these actors long into their careers.
Alice Lundy played the title role of Elektra and there was not a moment that I did not believe her pain and suffering. Watching her go through such highs and lows was impressive and entrancing. Likewise, her sister Chrysothemis, played by Kathleen Welch goes through those same highs and lows, but with the respect and reverence that was expected of a proper Greek woman. She provides a stark contrast to her seemingly crazed counterpart, and Kathleen played Chrysothemis with a grace beyond her years. Daniela Piccinin portrayed their mother, Clytemnestra, with a stately presence that embodied matriarchy. Her delivery was beautiful, and her passionate pleas were impossible to ignore. Erik Helle played Orestes, brother to Elektra and Chrysothemis, and the vehicle for their revenge. Erik fully embodied this strong, compassionate and perhaps headstrong young man. Mauro Meo’s portrayal of Aegisthus and Ryan Iwanicki’s portrayal of the Old Man were splendid. While the Old Man acts as a sort of Deus Ex Machina for the play, Aegisthus’ return is feared and loathed, both Mauro and Ryan used these roles to their advantage and played them completely. However for me, one of the highlights of the piece was the Chorus. Portrayed by Brendan Kinnon, Emerjade Simms and Ilya Marvin Ilyashyk, they epitomized a traditional Greek chorus, and yet used the amazing movement techniques of a modern play. Their haunting chants and sound advice paired with the way they moved around the stage and interacted with the other characters made them a play unto themselves. I was so impressed with their costumes and mask work as well, they fit the bill perfectly.
The play itself was rather easy to follow, and I definitely saw how the Elektra complex can be thought of as a parallel to the Oedipus complex. The only thing that I found odd (and it is no fault of the actors, but purely the author) was how determined Elektra and Orestes were, and then they seemed to repent almost immediately after the deed was done! While this is rather true to life (how many times do we do or say something that we automatically regret) it just seemed so out of character, especially for Elektra whose struggles and pains we come to empathize with. Maybe it was just me, but it seemed like a really quick 180 for characters who felt so justified in what they had done. Otherwise, it was a fascinating play, totally engaging and fascinating, with many mythological allusions and alluring language.
The whole experience was so powerful, beautiful and moving, that my only wish is that more people could have the opportunity to see this amazing production. I must admit, this production inspired me so much, it made me realize that this is the kind of work I’d love to be doing, something fulfilling and artful and gorgeous. I was blown away by the talents of these wonderful actors, and as always am so proud to have been even a small part of their journey to this point in their careers.